In this case the microinterval characteristic would be very present in the interval of second between B and A.

Falla also adds the вЂњa tempo, ma flessibileвЂќ indication. It is developed within a range of 5 th and insists in the note B. Once the different features of cante jondo written by Falla have been revised, the succeeding sections to be analyzed should contain at least one of the following characteristics:ДЄs it can be seen, the score example number 2 represents a melodic passage. It would be highly recommendable to listen to the last two examples in order to be aware of this stylization. It would be advisable to note that in Nights in the Spanish Gardens (especially in the first movement), Falla makes a stylization of the Andalusian cante jondo, combining it with an impressionistic and romantic writing.

However, the piano approach to this particular way of singing always increases the level of the performance. The differences between microtonal music and the western temperate scale make some of the cante jondo characteristics unrealizable. This analysis, thought, may represent a rather subjective approach. Hence, the subsequent section analyzes the different cante jondo parts and its pianistic interpretation. In combination with the вЂњguitarristicвЂќ and вЂњDebussynianвЂќ parts, the ones of cante jondo create the characteristic sonority of the piece. Cante jondo in Nights in the Spanish Gardens He has also played in countries such as Holland, France and Austria. He has performed as a soloist and chamber music member and in places such as the national auditorium in Madrid, auditorium of Cuenca and theaters in Salamanca, Ciudad Real and ГЃvila. He has participated in masterclasses with teachers like Claudio Martinez Mehner, Ferenc Rados, Edith Fischer, Kennedy Moretti and Galina Eguiazarova among others. Samuel Tirado begins his studies in Salamanca, where he completed a bachelor degree with Patrin Garcia Barredo. Furthermore, this information could also help not only pianist performing Nights in the Spanish Gardens, but also any musician playing Manuel de Falla's music. The research process changed my vision about topics such as the role of the soloist, the interpretation of ornaments, melodic lines and rubato as well as the imitation of the guitar in De Falla's music. Thus, I found several examples that prove the connection and help the performer to make the interpretation as coherent as possible. Searching information for my research, I discovered that the most important sources of inspiration come from В»cante jondoВ« (a Spanish primitive chant), the Spanish guitar and the music of Claude Debussy. However, the piece presents key aspects from the Spanish folklore and French impressionism that, usually, are not taken into account. Several of the greatest performers have recorded it achieving impressive results. Manuel de Falla's piece Nights in the Spanish Gardens has become popular during the last twenty years. Research Question: Which are the most important sources of inspiration in the piece Nights in the Spanish Gardens and how all of them affect the performance of the soloist and the orchestra? Title of Research: Nights in the Spanish Gardens: Meaning and inspiration